Witness

Last night I woke with a start, opening my eyes to a pitch-dark bedroom. Outside there was a strange murmur of voices, and I knew something was wrong. It was too late for people to be outside. I lay in bed and turned towards the windows in the far room, listening to the litany of voices churning outside. It didn't make sense.

Then a woman screaming: "GET THE FUCK OFF ME! AAIIEEEEE! WHAT THE FUCK ARE YOU DOING! HELP ME!"

I cowered in bed for a second, ashamed and afraid. My heart was pounding.

"GET THE FUCK OFF OF ME! AAAIIEEEEEEE!"

I thought about calling 911. I thought about Kitty Genovese. I thought about the previous time I called 911, when my phone locked itself in 'emergency phone' and the police called me back a few minutes later with questions I struggled to answer. The woman screamed again. I leapt out of bed and ran to the window, grabbing my glasses and my cellphone. Angled against the glass, I could see several police cars parked askew in front of our building. Their lights and sirens were off, making the cars look oddly demure. The police were standing around, and the person screaming was strapped to a gurney that they were loading into an ambulance. Her cries softened, and then stopped.

L was awake at this point too. Across the street I could see a few more lit windows separating themselves from the uniform darkness of night. I came back to bed, noticing that it was 4:30 in the morning.

I lay in bed for a while, waiting for my heart to slow down. James and I used to talk about the worst things about living in the city, and for me it was always this: there is no insulation, no protection from ugliness of so many kinds. Since I've lived here I've heard screams of abject fear. I've called 911 to help someone who was being attacked. I've seen people doing drugs on the street in front of me. I've seen people whose lives seem so irrevocably broken.

Last night was one of those nights when the city seems like a place of chaos and fear. There is no luxury of ignorance here. Eventually I fell back asleep, and woke up again to another new morning, no police cars in sight. How this place can turn on you.

Writing class

A couple of weeks ago, I decided that I wanted to take a writing course this summer. I feel like there's a lot of stuff inside me that I want to get out, but I don't feel like I have the tools or structure or discipline to do that. And I thought summer would be a good time to challenge myself and try to think in a creative and different way about things. Since I have been so into short stories lately, I signed up for a 9-week online short story class.

Of course, since work has been pretty exhausting this week, I am now struggling to turn in my assignment by the Saturday noon deadline. But I've been hammering out something and I think it might be ok. As I was writing it I was trying to be clever and symbolic and theme-y, and I fear that when I start going down that road the strings and seams are very evident, but that's why I'm in the class. Sometimes I feel so stunted and immature as a writer, which feels wrong since I read so much and feel like I should be better, just through osmosis.

I do love writing late at night, though. You want to know my ritual? After L goes to bed I sit at the desk and put on my headphones and listen to Adele's "Hometown Glory" a couple times. That song opens me up, man. It's so beautiful and reflective and mournful. It gets my juices flowing and helps me find the words. Then I skip around my itunes list, playing whatever slow, night music strikes me. The crazy thing is the visceral reaction some of these songs produce. Sometimes it will be Frou Frou or Coldplay or Jill Scott or David Gray or Erykah Badu -- and it takes me back, and it's just this rush of sense memory and it feels like I am 20 or 24 or 26 again, sitting in a different room with a different set of circumstances. Sometimes the only common thread is the love of a song. Sometimes it's a lot more. Either way, it gets me going and makes me discover a place where the words introduce themselves.

I am really excited about this writing class. I want to do it well. I think I have a gift that I've ignored for a while, and if there's one thing working full-time as a lawyer has taught me, it's that I have to hold on to every damn scrap and piece of myself that I can. Preservation of self, preservation of sanity.

Wish me luck.

Kris Allen's cover of "Heartless"

We didn't watched "American Idol" this year, but I heard about this clip and I think it's great. Unlike most acoustic versions of R&B or hip hop songs, this one isn't smirking about white appropriation of black vernacular; this is just a really solid version that actually brings out the musicality of the song and gives it an emotional heft, that Kanye, as a not-great singer, simply can't. Kris Allen's version of "Heartless" makes me love the original in a new way. Congrats to him on his big win, I guess. This is the beauty of pop music, right here.

Terminator Salvation: Not a good movie

Last night L and I watched "Terminator Salvation." It was really stupid. I wasn't expecting a work of art, but I was hoping for an effective, zippy action movie to while away the night. Unfortunately the movie was pretty tedious and cumbersome. Christian Bale was working his best Batman growl, and Common was unintentionally hilarious as The Black Sidekick, but the movie was incomprehensible. I don't know enough of the Terminator mythology to really get into it, but every time someone asked somebody else what their name was, the person would say, "Kyle REESE," or "Marcus WRIGHT," in this fantastically overwrought way, and then wait eight seconds for the audience to stop gasping before they resumed their conversation. When people say, "What's your name?" no one answers like that; they say "Kyle," or "Marcus," and then try to give you their business card.

Some of the action pieces were entertaining, and the movie had a bleached-out color palette and dystopian vibe that I enjoyed. The time travel elements were silly, and the ending made no sense. So they destroy Skynet's central headquarters (oops, spoiler alert) but the war isn't over? Then why did we just bother with this whole thing? Also, the Marcus Wright character, who was sort of a terminator but didn't know it, was way cooler than boring, sanctimonious John Connor, who couldn't go five minutes in this movie without wrecking a helicopter.

Finally, if you were a brilliant self-aware network of machines, and you wanted to design a terminating robot to destroy humans, why would you design your own human-like robot? Why not just put a gun on top of a wheel, or something? To see these slow terminators lumbering towards their targets -- and then when they reach them, instead of doing something smart, like crushing their heads or shooting them, they pick up the human and throw them into a cabinet or something -- and then continue lumbering towards where they threw the human, so they can throw them at a car and hope maybe that that throw turns out to be the death stroke -- really? Really, Skynet?

It's a dumb movie. Unlike Skynet, it's not self-aware and is crushed by the weight of its own stupid backstory. On the plus side, we got to sit near the handicapped section of the theatre, so we had plenty of legroom, and our popcorn was delicious.

Flag day

The other day we had an interesting talk with John and Anna -- who seem to have acquired a lot of wisdom lately, like some collateral grace of new parenthood -- and they remarked that in order to live happily in this city, you have to really love other people. Not just the people who are easy to love, like your friends and relatives, but other, crazier people: unruly youths, drunken professionals, midnight dogwalkers who blather on about Mets tickets while their dog barks wildly, just outside your window.

I thought about this observation yesterday, when I spent the whole day battling crowds to find my own little piece of quiet. I got up early to do a 10K in Central Park. As soon as the race began, the rain did too. Small, occasional droplets gave way to a pelting, determined rain, drenching everyone and making my shirt slap against my skin. All the water in my shoes bogged down in my toes, adding a degree of suction to each step. I thought about just pulling off or seeking refuge at a friend's near the Park -- I mean, why bother. Ultimately the rain stopped after three miles, but the misery endured. I finished the race somewhat respectably, although I felt like I was passed by successive waves of people as I kept on my dogged old pace. It felt like a new cloud of people would overcome me every few minutes, and I would be dodging people coming up on either side -- was I really going that slowly? After the race people milled around, wet and relieved. As I walked back to the train I watched other people approach the finish line -- older people, heavier people who were trying so hard and doing so well. I felt proud of them. Three spectactors eruped in joyous screams as their friend ran past and I couldn't help but smile. So encouraging.

All I really wanted was to go home and take a nap and read my awesome new book, Nixonland, a big fat history of the 1960s. I felt so exhausted and wet and beaten. But Saturday was the day of our annual neighborhood fair: streets lined with tents and kiosks selling all kinds of jewelry, art, artisanal soaps, and ironic t-shirts, all of it seemingly designed for cynical college girls; hundreds of people milling about directly in front of our building, sitting at folding tables and dancing to the succession of bands on the main stage, blasting music towards our home; a magnificent 30-foot American flag fluttering between the buildings; a fat trailer of Bud parked by our front door. They had some jazz sets, a few warbly olden-time lady singers, and some funk bands, all of them relentlessly hammering their music through our windows. I tried to read and couldn't concentrate. I tried to nap but couldn't fall asleep through their public announcements about throwing away garbage and locating temporarily missing children. We watched TV at top volume but it was useless. The constant hum of the crowd was not a problem, but the music was just so damn aggravating. At L's suggestion, we took a walk and made our way to Abingdon Square. "I just wanted to take a nap and read my book," I kept repeating. I was so tired from the run and general sleep deprivation. "I am being literally tortured," I said, even though this was not true.

That night we escaped the bands and the crowds and the beer smell around our house to go celebrate Ashesh's birthday. On our way back we encountered one of our wacky neighbors as the festival wound down; the stage was already gone, the people had dispersed and only a few empty cups lined our front steps. "Were you here for the dancing in the streets?" she asked us. She seemed happy and drunk. We explained that we had been at a birthday dinner and had unfortunately missed it. "Well, where else can you dance in the streets?" she said lightly. "Nowhere but here, not with all these bloody-hell regulations...We can only do it because we were grandfathered it. Now did you see the firemen putting up the flag today? It took them two hours! I don't know how they did it. We used to leave the flag up 'til Flag Day, or at least the Fourth of July, but this one is so big it has to go down tomorrow. It's a real shame."

We commiserated over the flag, which waved lightly over the street from a rope strung between buildings. It was so bold and brash; even in the dark the bright swathes of color were beautiful. Over the emptying street it felt like community, like country. After a few minutes we headed inside and finally fell into a long-awaited deep and grateful sleep.

And sure enough, by mid-day today the flag was gone.

Tenacious

I haven't written in a while, and that's because things have been generally awful. But after two weeks of misery, work has been a lot better in the last couple of days. Before I would feel a pit in my stomach as I approached the building, and would spend the entire day braced for something bad to happen. I lost a lot of confidence in my own ability and intelligence, and I still don't feel like I trust myself to be sharp. As it happened I got yelled at/reprimanded/embarrassed every Thursday, and I'm hoping tomorrow can break the pattern.

Lately I've put a lot of time in at work, in an effort to prove my stamina and dedication. Some of it was misguided, some of it was wrong. But nobody questioned my commitment. Now I have a new feeling about work, and the new buzzword is: tenacious. I feel like I'm holding on to some bucking bronco, I am getting jerked around and beat up and bruised, I am landing in the dirt and getting mud splashed in my eyes, there might be people laughing and jeering at me, but I don't know if I can hear them -- all I know is that I'm not letting go of that damn bull.

Last night in bed I felt it again, the same sense of nervousness and anxiety seize my body as I lay in a dark room, waiting for sleep. I thought about tasks that had to be done and mistakes I feared I had made. I felt imprisoned.

There are some really good things going on, too, but I haven't had the stomach to write about them: our friends' beautiful new baby, the Tobias Wolff stories I'm still reading, the great sandwich place on 12th we just tried. All of these things waiting if and when I can break the surface and come up for air.

My role model

This was a singularly, spectacularly, bogglingly shitty week at work. I didn't think I would make it, and yet somehow here we are again on Sunday night, standing at the precipice, at the brink of another week.

I had an epiphany a couple days ago about how I need to approach everything, and I feel dumb that it took me this long. When I first started, one of my colleagues told me that I remind her of Kenneth the page from "30 Rock." She said it was about my willful good cheer in times of strife. Kenneth the page needs to be my role model at work. He is competent, relentlessly cheerful, and blithely unaware of the slights and insults and stresses that thunder down on him on a weekly basis. He just keeps chugging forward with his permanent grin, homespun wisdom, and maddening courtesy. I need to be more like this. Do your job, keep smiling, don't break a sweat, and let everything else just slide on past you.

The other little thing that's helped me figure some things out is a Coldplay song. Just because I'm losing, doesn't mean I'm lost.

Cold Spring

We had a monumental weekend. We spent Saturday in Cold Spring, New York, just an hour or so up the Metro North, riding rails that hugged the Hudson shoreline as the mountains emerged around us. The town itself was pretty and quaint. We walked from the train station a few blocks along Main Street, past an outfitters', a few cafes, an ice cream place, a couple of restaurants, and a B&B or two. People come to Cold Spring to hike Hudson Highlands State Park or kayak along the river; people also seem to bring their kids here. I particularly noticed how many families were toting babies of a different ethnicity, like we had stumbled into "Take Your Internationally-Adopted Kid to Cold Spring" Weekend without realizing it.

After getting situated at our place, the Pig Hill Inn, with its creaky, wide floorboards and charming European hostess, we set out for a sturdy two-hour hike in the Park. We had to walk along Fair Street to reach the trailhead, past a stately Catholic Church with American and Vatican flags fluttering and a Little League game enjoyed by a handful of relaxed parents sitting in folding chairs in the shade. We did a nice two-hour loop along several well-marked trails: Washburn (white blaze) to Undercliff (yellow) to Brook (red) to Cornish (blue), beginning with a steep ascent past an old quarry and gradually circling back down, almost to river level, past the ruins of the Cornish estate gaping at us through the trees and grass.
The views, once we reached them, were incredible. This is a different New York, this is Washington Irving country; a country where apples are grown and headless horsemen ride and where something strangely exotic yet elemental, something Dutch, still thrives. From the rocky heights we could take in an expansive view of the broadly sweeping river and the town laid out below. We could see the baseball field far down. The curves of the river looked swollen and rich, a fertile crescent. We could see the buildings of West Point and the foamy trails of boats as they chugged upriver. We were in New York, and we were in something greater.

That night we had dinner at a B&B by the river, sitting on the porch eating filet mignon as bored local kids rode bikes by the water. Back in the room, L fell asleep at 9:30 in her cute dinner dress and I sat in the chair, reading Tobias Wolff stories and the current Atlantic. In the morning, after breakfast, we got back on the train and chugged back home to the city, leaving behind the mountains and the clear watery air to dive back underground, where what you see beyond the windows of your train is not a mountainside dressed in old lively trees, but an inky blackness that reminds you of nothing so much as an absence of anything. Yet somehow it felt like enough.

Bizarro L

Tonight around 6:30 I changed into my running clothes in my office, and then set out for the park, nine blocks north, for a nice 6 mile run to kick off the weekend. As I was leaving I noticed a girl walking up from Rock Center towards the Park too, dressed in workout clothes. Huh, I thought. We sort of walked near each other through the wandering hordes on 6th Avenue, past the restaurants and bars with tables spilling out onto the sidewalk, past the commuters and past the glassed-in cigar store with large men smoking imperiously. At the park I took a minute to stretch while this girl took off running.

It was a perfect day to be there. The trees are just starting to lose their flowers for fresh new bursts of leaves. The sun was setting slowly, casting a warm light on the stocky skyline of the east side and sending long shafts of light along the grass and the road. Everyone was running or walking, riding in carriages or lounging under a tree. About a mile in I realized I was approaching the girl from before, and I passed her and kept moving. I continued along the great hill at the north end of the park, dipping briefly below the sunlight to climb back up the rocky hillside. Later, as I was nearing the last half mile, I saw this same girl trucking along -- she must have done a shorter route and gotten ahead of me, while I took the long route along the great hill -- and sure enough I passed her for the second time, just a few yards from the 6-mile mark where I was finishing.

I took a few minutes to stretch my legs again, my shirt cold against my back as the temperature began dipping. The girl passed me again, leaving the park, as I stretched. A few minutes later, walking back down 6th to the office to gather my things, I realized this same girl was walking a mere few feet away. Kind of strange. After a few minutes she took her earphones out and said to me, "Apparently we have the same pace, we should be running buddies."

Now, this is the point in the story where L's expression turned from benign amusement to skepticism. And I can see how this could have ended dramatically badly. But rest assured it did not. I ended up chatting with this girl as we walked back to Rock Center -- she works there too, and she ran the marathon the same year I did. And here's the kicker: she looked a lot like L, but frankly, a lot less attractive. She was short, and had dark hair, and sort of the same features, except things were slightly off and the overall effect not as appealing. She looked like a police sketch version of my wife. It was funny, though, because she had been training to run the same half marathon as L, and there seemed to be a few other weird similarities. Who was this girl?

So, on my run tonight I got to casually interact with a strange, less-attractive version of my wife. It was kind of fun and kind of weird, like trying Vietnamese food for the first time. After reassuring L that there was nothing sketchy or weird about it (besides the fact that it happened in the first place) she was fine with it too, and ended up making fun of me, which is how our conversations usually wind up.

With that auspicious beginning, tomorrow we're heading up to Cold Spring for a night away from the city. And then Sunday: L's birthday.

Day at Citifield

Yesterday Ashesh, Mona, L and I braved the 7 train to check out the Mets/Brewers game at the brand-new Citifield. Everything -- the ballpark, the weather, the seats, the outcome, the Blue Smoke ribs, the time we appeared on the Jumbotron, the margaritas we enjoyed back in the neighborhood afterwards -- was spectacular. It was a great day to be a New Yorker.

Although Citifield is definitely cut from the same Venerable-Old-Timey-Ivy-and-Brickwork aesthetic now dominating most new baseball stadiums, I thought they actually showed some restraint in not laying it on too thick. For all of the masonry and elegantly arches welcoming you to the Jackie Robinson Rotunda, there's plenty of exposed piping and darkly painted I-beams running along everything. The Rotunda itself was beautiful, an exceptional welcome to the new ballpark, with some genuinely inspirational inscriptions along the walls and floor. Near the center of the floor are a giant pair of bright-blue numbers, 42, behind markings representing Robinson's footprints. This area was mobbed with people taking photos as the game ended, and it made me really happy to see it. The whole thing was reverent and historical but still accessible and human-scale, like the game itself. How stuffy can you be when you are mere feet away from a men's room with dozens of urinals lined in a row?

Food-wise, they had plenty of your typical baseball fare, and tucked behind center field, rght alongside the whiffle ball diamond, is the ridiculous foodie oasis that seemed to really capture the modern Manhattanite's obsession with normal dishes somehow made exotic or locally grown or inexplicably expensive. Blue Smoke! Shake Shack! Fancy beers! Fancy tacos! It was unbelievable. The ribs were ridiculous, although I found them really hard to eat and could have used more wet naps.

Anyways, the day was perfect -- bright blue skies, a breeze keeping the flags lining the top of the stands in full view. Our seats were right along the first base line, giving us a great view of most of the action. The game was quick, with awesome pitching by Johan Santana that made up for the general lack of batting action. I tried to take a few photos with the old iphone, but between the bright sun and the barbecue sauce smeared all over my fingers (and face, let's keep it real) it was sort of challenging.

Here's a view of the infield from our seats. These seats were so good, the first thing I thought about as we settled in was that we could be killed by a foul ball in the blink of an eye. It was exciting!
Here's everyone going crazy as Mr. Met started shooting t-shirts into the crowd:
What a great day. I can't wait to go back. It made me want to buy a whole bunch of Mets stuff, too, like a cap, although wearing a baseball hat here is like making a strong political statement that half of everyone else will find extremely obnoxious. Like if you walked around with an "I'm GLAD we're in Iraq!" hat. Not that being a Mets fan is equivalent, but I would feel pressure to be knowledgeable and ready to defend the team, especially since a lot of these smarmy corporate types I tend to spend time with these days are usually Yankees fans. I just don't know if I'm ready for that commitment. But days like this definitely push me in that direction.

"The-Dream is everywhere"

The best part of the current New Yorker, besides the beautiful cover and the articles I wish I could write, is the fact that the main essay in the back section is on my favorite, The-Dream. He has a new album out this spring, nipping on the heels of "Love/Hate," which you may recall dominated my sonic life for most of 2008. Sasha Frere-Jones is my favorite music writer -- he can capture its beauty and complexity in a way that always leaves me fumbling. His genius, though, is in the fact that he shares some of my tastes, which is how I can vouch for his brilliance.

Anyways, the new Dream album, "Love vs. Money," is great. He and his collaborator, Tricky Stewart, have not strayed far from the successful formula of their last venture, and they are still playing in the same universe of "ella"s and "eh"s and "Aye!"s. This time around, though, Dream is more ambitious about his skills and his place in the current R&B firmament. His singing has improved, with more traditional vocal flecks and R&B stylings. He offers a tribute to R. Kelly, then slyly supplants him in the final line of the song. Besides the swagger and good humor that characterized the last album, he attempts to lay the groundwork for the larger theme of the title, love vs. money. His songs about money -- "if she wanna make love on the edge of the world, I'll buy it" -- are knowing and briefly convincing. The last 90 seconds of "Fancy," for example, capture the intoxication and confidence and romance of wealth in a way that is genuinely exciting. It makes you want to live in that song.

Since the last album grew on me over such a long period of time, I'm trying to keep my expectations low for this venture and just enjoy it as it comes. Several tracks hooked me immediately: "Take U Home 2 My Mama," "My Love" with Mariah, "Walkin on the Moon" with Kanye, the "Rockin That Thing" remix. I love this guy.

As usual, Sasha Frere-Jones got it exactly right in the magazine:

Hip-hop allowed R&B singers to become aggressive again, to make the language blunt, and to admit a little bit of selfishness into the nice-guy routine. Having run that particular program, R&B is now following [The-Dream and Tricky Stewart] to a more subtle and complex area, where aggression and tenderness are equally represented.

Slow pitch

One of the best things about adulthood, bar none, is the fact that no one makes you participate in organized youth sports. I spent a lot of time in my formative years playing youth sports: cheering on my teammates as they charged ahead of me in the batting lineup, bantering with the assistant coaches as I sat out the inning in the dugout, winning the end-of-season awards for Most Sportsmanlike, or, even more humiliatingly, Most Improved. As a kid I would literally spend the entire schoolday dreading Little League practice, wondering what new failure or humiliation might be waiting for me there.

Through the years I sort of improved: my hand-eye coordination got better, and I learned the value of hustling. Even if you are truly bad at something, if you really hustle, you can generally get by all right. (This is true of everything.) In basketball I was able to snatch rebounds and really thrash the ball around to shake off other players, and I was tenacious at defense, keeping my eye on my opponent's midsection so he couldn't fake me out. In baseball, after I would completely miscalculate a line drive or a fly, I would run extremely quickly to wherever it landed on the ground and hurl it back towards the infield. There was a real upward trend.

Now, of course, I'm a grown-ass man, with a wife, an advanced degree, a professional career, my own apartment, copious student loan debt, and the freedom to fill my leisure time as I see fit. Rarely in the last decade has this included organized sports, save from individual efforts like running, which doesn't involve catching things. Yet tomorrow, dear reader, I will be playing on the firm's softball team, as we face some other corporate team at a ballfield on Roosevelt Island. That's right -- it's time to play Little League for adults, except now, rather than play with random kids from other elementary schools, I get to play with my coworkers! Awesome!

Obviously I am not going into this unprepared. Last Monday, when I found out that I would have to be playing softball in a little over a week, I promptly went to Sports Authority and spent about $60 on miscellaneous equipment. I also spent another obscene amount of cash to rent a batting cage at Chelsea Piers on Saturday. Anna, John, Mona and Ashesh, who were very good sports about everything, accompanied me. It was actually a lot of fun, even though we were surrounded by children's birthday parties. As I stood in the cage, my body ratcheted into the familiar position -- knees bent, shoulders cocked back, forearms tense, breathing steadily, whimpering slightly -- I felt the same good old sense of panic. Blood pounding in my temples, queasiness in my gut, the whole deal.

By the end of the hour (at which point we had all thoroughly lost interest in batting) I was feeling a lot better. After a couple of tragicomic whiffs at the beginning, I was making contact with every single slow, loping pitch, knocking the softballs into some solid line drives and a few angry grounders. I realized that I made better contact if I stepped a little farther back from the plate. I felt confident, even though most of my hits felt ugly against the bat, giving me that ringing feeling in my hands, like I was batting with a piece of rebar.

So that's where things are. Tomorrow night is softball night, unless it rains or something, which would obviously be horrible. In the evenings I have been oiling up the new baseball glove I bought, which feels cheap and plasticky on my hand, and there was a moment the other night when I smelled the leather, and I threw the ball into the pocket and held it there, and I realized I was actually kind of excited to get out there and see what happens. Not that this is redemption, or that I even need redemption, but maybe I will surprise myself. It could be something good, you never know. Batter up...

Zombie law firm

Whenever I find myself alone in the office, late at night or on the weekends, my mind often turns to how I would defend myself if I was attacked by zombies. Inside the perimeter of offices along the exterior, the core of the floor is a dense warren of narrow hallways and alcoves. There are elevator shafts no one uses, doors that are never opened, behind which you can hear the building groan and howl. Coming up through the night elevators deposits you in a dark, empty room, and a security card is required to gain entry into the offices beyond. When the partitions to the main elevators at shut, even the old print-out sign seems ominous: "Use the night elevators as a LAST RESORT."

Six months in, with a lingering confusion over those inner hallways, the mysterious elevator shafts, and most of all, the constant whine from behind those doors -- honestly, it's as if we're a couple dozen floors above the gates of hell -- I do find myself thinking of zombies. Not the slow, stately kind, with their predictable lurching and almost adorably simple agendas -- I'm talking about the hyperactive, "28 Days Later"-style zombies: fast, enraged, and mean. Presumably these zombies were lawyers once.

Sometimes when I look down the long, empty corridors, lined with vacant offices and silent from the usual weekday din, I imagine seeing some agitated zombie scuttling down the hall, mouth agape and screaming a loud shrill cry, like the sound from that damn elevator shaft. I dart into a nearby office and slam the door behind me. It won't or can't lock, and the Aeron rolling chair is useless to keep it shut. Leaning against the door with all my might, there is a sudden thud as the zombie throws himself against the door from the other side, and I feel a ringing in my body from the impact. I can briefly see the zombie's twisted face mashed against the frosted glass panel beside the door. Enraged, he snarls and momentarily retreats. Holding my breath, knowing what's coming, I try to ground my feet into the muted colors of the carpet, desperate to find some leverage to keep him out, to strengthen my hold on the door. With a piercing scream, a sound like the air itself tearing away in front of me, the zombie hurls himself against the door. I am filled with horror as he comes blazing into the office, a gust of bitterness, coppery and pungent, filling my lungs as as he tumbles on top of me and we fall behind the desk. Animal panic rises in me as I sense the zombie's teeth gnashing near my skin, as I realize that his brittle dry fingers are clamped on my body. Feeling as if I am on fire, as if there is nothing else in the world besides my own survival, I slam him against the credenza and he yelps -- I shove his head back with the butt of my palm, momentarily disgusted by the softness of his forehead, and drive him into the cheap wood paneling of the office furniture. Taking advantage of his confusion, I reach to the shelf above to grab a copy of Siegel's New York Practice, 5th edition -- 900 pages, hardback, of everything a young attorney needs to know about the practice of law in the Empire State. Standing up and gripping it tightly, I strike him backhandedly and shove him upwards, over the credenza and against the glass of the window -- after a moment of pressure there is quick sharp rush as the glass shatters, and the zombie is yelling in fury and then horror as he goes tumbling out the window, a thrashing figure engulfed in a rain of glass, plummeting down to 50th street far below. I am standing there in the wrecked office, breathing heavily as a new wind gusts inward from the street, holding my New York Practice as loose papers -- cases and briefs and memos and articles -- swirl around me, until eventually the coppery bitter smell is gone and all that is left is the air of the city, forcing itself inside this new unexpected home I have created.

That's what I end up thinking about, being alone in the office on weekends or at night. There are some benefits in realizing you're the only one around. Obviously, you can bring reading materials to the restroom with impunity. Yet eventually my thoughts always turn to this kind of thing: the rooms I haven't seen, the hallways I can't master, and the constant churning sound of the elevator shaft, rising up from someplace unfamiliar into the the office we think we know.

Boy, this turned out kind of weird, didn't it?

Inspiration

Two things:

At hip hop tonight, as people were getting tired and frustrated with not getting it right, not being as smooth and sharp as we all wanted to be, our teacher watched us from the front, sitting on her haunches against the mirror. "Think of when people tell you, 'no, you can't,'" she said quietly. "This is when you say, 'oh yes, I can.'" There was a murmur of assent, and then we did it, tight and razor-sharp. Turning over her words in my mind, thinking about how the last few weeks have been, I almost got a little emotional, somehow.

Later I was at Chipotle picking up some dinner on my way home. I was sweaty but jubilant. As I stood in line one of the girls behind the counter was talking about me casually to a coworker. "I like him," she said to her colleague as she cut lettuce or something. She saw me looking at her and smiled. "You look like you're on a talk show!" This was perplexing. "Like, 'General Hospital'!" Apparently my devastating combination of bland good looks and big teeth adds up to a possible career in daytime television. That's cool, though -- I'll take it where I can get it.

Oh yes, I can.

Signals

You know I'm stressed at work when I start yelling at pedestrians, and dang if it didn't happen today. Earlier this afternoon L and I were on our way up to Central Park for an eight-mile run, and we were waiting for the light to change at 7th & Grove so we could continue up 7th, towards the subway. We stood there waiting patiently for the light to change so we could walk. There were cars waiting to cross in front of us. Then these two moon-faced chicks start wandering through the intersection, ignoring both the stoplight and the "Don't Walk" icon shining steadily before them. One of them had her nose buried in a guidebook and the other one was looking for traffic on the one-way street from the wrong direction. Before I could stop myself, I was talking.

"Be careful, that car's going to hit you," I said, pointing to the car a foot from their calves, which was patiently waiting for them to cross so that it could move on its green light. I was sort of hoping the driver would honk, but he didn't.

"Thanks," one of the girls replied listlessly.

"I can't believe that," L said, shaking her head.

"I know!" I replied. "How can they be so oblivious! They're the reason traffic is so horrible--"

"No, I can't believe you," L said, clarifying her point. "Why were you talking to them?"

"Because they were being stupid," I said patiently. "This is a community issue."

I explained how pedestrians have to share the road too, and how there's a time and place for jaywalking, but L did not seem particularly interested in my points, even though I felt they were strong. But it was a helpful reminder that yelling at pedestrians is an indicator that I need to manage my stress in new and different ways.

Merry ways

This was the weekend that opened up the springtime, the possibility that this long bleak winter might someday come to an end. On Saturday morning L had to go to work early in the Bronx, so I ventured forth to the Union Square Farmers' Market on my own, armed with a few canvas bags and a very detailed list. The walk up was very pleasant, strolling in just a fleece, feeling the sun on my face and listening to the new Ryan Leslie album on my ipod. A strung-out looking man on the corner of 5th and 11th was trying to flag me down, and at first I was determined to avoid him, but then I decided to give it a go (it was daylight after all, and I can throw a punch or two (theoretically)). Turns out he was a foreign tourist, eastern European, and he needed directions to Ground Zero. Proud of myself for being so helpful and non-judgmental, I set him off towards his destination and continued along my merry way.

The crowds at the farmers market had not yet descended when I arrived around eleven. I meandered through the stalls, gathering up carrots, eggs, two brown paper bags of mushrooms, and some yogurt and milk. Vendors were selling cherry blossom branches with the buds just starting to grow, and there were many more apples than I expected to see. I stopped at Trader Joe's for wine and made my way home, talking to my mom as I lugged everything back.

When L finally came home, we went up to Central Park for a nice long seven mile run. She's training for a half marathon for her birthday in late April, and being the kind of husband who enjoys spending time with his wife and has seen plenty of episodes of well-intentioned trainers hollering at the people on "The Biggest Loser" until spittle is gathering at the corners of their mouths, I decided she needed my help.

The Park was full of people jogging along the road, families meandering along with their kids, and hateful bikers zooming along like they think they're Lance Armstrong. L and I have never really run together, based on significant differentials in leg length and speed, but we thought we'd give it a try. I tried to run a little slower than usual, a nice steady jog so I could follow her lead. I haven't run more than five miles in a really long time, and was anxious about how this would go.

Well, it was fantastic. Although we were going a little faster than L was accustomed to, it was really wonderful to run through this beautiful park with her by my side. The place was vibrant, full of life, like the whole city turned out to celebrate the first spring weekend. Sacramental. Running at a nice easy pace, anticipating the familiar hills and sights along the path, I thought a lot about all time I have spent running that loop. So many sense memories in the pavement, remembering songs I used to listen to or specific instances where I found that perfect alchemy of physical exertion and natural beauty and a moment of clear-mindedness. It's happened before, and it happened there.

After we finished our 7.4 miles I was shocked to find that I felt like I could continue. I was proud of my wife and really happy that we spent that last hour or so running alongside each other, buddies on the road, like everywhere else.

The weekend continued along a similar simple, restorative trajectory. We ordered in both nights, watched television, read a lot. The burdens and stress of work, which weighed heavily on my shoulders this week, melted with each moment in the sunshine, each glance to my left to see my wife beside me.

Today I enjoyed a couple afternoon drinks with Ashesh at Wogie's, and as I told him about some of the work stuff that had caused me so much worry this week, I thought about everything for a moment, and said, "I have a very rich life." And on weekends like this it feels like everything opens up.

On Facebook

After the initial euphoria wore off (Friends from high school! What's my status right now? Ooh, photos!) Facebook now feels like more square footage of the internet that demands attention. God forbid my status go unreported.

There have been a lot of small pleasures in this thing, though -- I like the quick public scribblings on people's walls; the status update really is kind of cool for those of us reluctant to dive into the shameless narcissism of Twitter (not like a blog is much better, though, admittedly); and it really is great to see all my high school friends again. What would Facebook be without high school friends?

There seems to be a limit, though. I was trying to think of the right simile and I can't quite reach it, but to me Facebook is like you and everyone you know, standing in their own individual glass box like a phone booth. Somebody has taken all these glass boxes and lined them up in a circle. When you log on to Facebook, the lights in the room come on, or the people who lined you up in the circle reveal new glass boxes to you, and suddenly you realize -- hey! It's your friends! You see your friends and loved ones, beloved, well-missed, and you knock on your glass and get their attention and wave and smile at them. They make eye contact and smile back. You bonk on your glass, and they do the same. So you look at each other for a little bit, and then -- hey! There's somebody else! So you turn your attention to that person, and you wave and smile and mouth the words "how are you," which fogs up your glass a little. And after a little while you realize that although you can see everyone, and from here they all look great, and they can hold up little blurbs about themselves and their lives now, you still can't quite touch them or hug them or dap it out. But you're still in your glass box, staring at everyone you grew up with, some people you thought you had lost to time and distance, and you don't dare look away.

Ok, you win

L and I joined Facebook. So if you want to be internet friends, drop me a line. This should be amusing.

29

On Wednesday, I turned 29. That means it's birthday week, and although the actual day already passed, the party train rolls ever forward. Tonight L and I are going to see "The 39 Steps" on Broadway, and then tomorrow is poker night with a bunch of friends and my brother-in-law.

So far 29 is feeling pretty good. I like the oddness of it, the irregularity, the sharpness. 29 seems to be more about anticipating 30 than reflecting the end of the 20s. And the 20s, for all of their wild freedom and unexpected mistakes and dawning awareness, are maybe starting to feel a little ragged. Not that I'm in a rush to hit 30 and then begin the slide into fatherhood, mortgages, and relaxed-fit pants. But I do feel like I am entering a new phase of life somehow, a phase where I want a bigger apartment and where I get really excited by having new ties to wear to work. Although, before I write myself completely off, I will also note that I spent 90 minutes of my birthday at hip hop, where we were bouncing around to house music and warming up to "Rump Shaker," a song that moved me as deeply and undeniably at 13 as it does now at 29.

Concert review: Ne-Yo!

Last night L and I ventured forth to Radio City to catch the big Ne-Yo concert, featuring opening acts Jazmine Sullivan and Musiq Soulchild. Given my recent lapse into middle age, I was exhausted by 7 pm on Sunday night, and not really excited to head into midtown to see a concert, but let me tell you, dear reader, that this concert was the shit.

It's hard to avoid comparisons to the John Legend show we saw a few weeks ago, so here's the breakdown. This show had tons of energy, the crowd was whooping and clapping the whole time, Ne-Yo had more charisma in his jauntily-cocked hat than earnest ol' John Legend tried to wring out of every song, and the crowd itself was demographically less diverse: mostly well-dressed black people, a surprising number of Asians, and very few white people. Like, a lot of people went to see "Madea Goes To Jail" on Saturday (which I totally want to see) and then made it to the Ne-Yo show on Sunday.

I went to this show thinking I was a moderate Ne-Yo fan, but sitting there in the upper mezzanine, singing out loud so the three fun black girls to my left would know that I am down, I realized that I really love his music. It just has this polish and sense of fullness and completion that I love. His lyrics are simple but insightful, and you can't beat the production. His voice is high but not reedy, but a little further up than I can sing comfortably, unless I decide that I really need to break my larynx with some Ne-Yo emotion. Hearing all of his songs in one fell swoop gave me a huge appreciation for his body of work.

The other amazing thing: Mary J. Blige was at the show, sitting in the third row! I spent a lot of the concert watching the back of her big round blonde hairdo, seeing how she was enjoying the show. "Look, Mary J. is rocking out! She's really into 'Closer'!" Or: "Does Mary J. like this song? He better keep her happy."

Ne-Yo had four dancers, two guys and two girls, and they were excellent. He moved with an almost robotic precision, and his moves were a little flashier and more dramatic than your typical hip hop, but it fit his classic aesthetic. The girls did some sexy grinding all over the place, and they even had this Janet Jackson bit, where they did some awesome moves with scarves straight from her "Alright" video in 1989. I was surprised that I knew that, but I did.

Ne-Yo's stage was pretty basic; a staircase near his band, and a light wall behind him. For one of his more treacly songs he had dry ice blasting on stage from the wings, where it tumbled off the stage and into the VIP seating. "I hope Mary J. doesn't mind all that dry ice," I worried. "I don't feel like she would be into that." It was up around her shoulders at that point.

The main thing about this show was that the energy never lagged. The songs moved quickly, no endless interludes, no uninteresting solos by the bassist, and plenty of good patter. Ne-Yo was calling out individual women in the audience, complementing their outfits or their weaves, and he passed out roses to a few lucky audience members. I didn't get one, but L didn't either. Also, he sang a quick medley of the hit songs he's written for other people ("Irreplaceable," "Take a Bow," "Let Me Love You," "Spotlight,") and I liked them more after hearing his takes.

We arrived at the concert in time to catch Jazmine Sullivan's last song, her hit "Need U Bad," which I like ok. She had a good arrangement and was really wailing it out, on her knees in the center of the stage having a "down on my knees/begging you please" Jodeci moment, with her backup singers keeping time for her.

I was really into Musiq's first two albums, but I kind of lost track of his career in the last couple years. To me he is part of that male R&B team that I love and live by: him, Eric Benet, D'Angelo, R. Kelly, and others. His voice is rich and he sings in the church R&B tradition I can only appreciate from a distance. He was having a great time on stage, singing and dancing and skipping around, rocking out in his three-piece suit in front his all-female band. Although I must note that I didn't like the sounds his background singers made, and one of them really did look like Star Jones.

I'm listening to Ne-Yo as I write this, and I had a really long day today, feeling worried and insecure at work, having a hell of a workout at the gym and a long cold walk home, and now my wife is in bed and I'm sitting here typing, winding down my day and my thoughts, but I find myself getting hyped up again, just thinking about this show. It was so damn good. My ears were ringing and my voice was scratchy as we filed out of Radio City. Ne-Yo and his colleagues had us clapping and singing and snapping for a night -- and if it's good enough for Mary J. Blige, you know it's good enough for me.